RRR is perfection by any means because after the way Rajamouli pulls off certain scenes, you wonder if he could've done a better job in others. It numbs us into submission but post-interval as the pace falters a little, the pleasures dwindle too. The background score thuds with relentless urgency and repetition, unapologetically melodramatic and quite smitten with itself. Oodles of flamboyance is something one has come to expect from Rajamouli now. The cinematography and visual aesthetics paint every frame in a radiating manner. Keeravani's OST for the film might not be for everyone but he does well with the BGM. Alison and Ray breeze through their roles. Olivia in particular manages to win your heart. Alia Bhatt, Olivia Morris, Samuthirakani, Ajay Devgn, Shriya Saran and others play their parts well. Tarak and Charan's roles require them to have chemistry, which they do. Ram Charan also does well, pouring soul into the transformations his character goes through. He's charming as Bheem, especially in the emotional bits and his desperation to find Malli comes through well, so does his love for Ramaraju. Jr NTR pulls off his career's best performance. The VFX in certain portions could've been better. The length also doesn't prove to be a hindrance, thanks to a tight screenplay. None-the-less Rajamouli manages to pull off something people have been pining for - a commercial, action drama that will keep you thoroughly entertained - which it does.
Rajamouli also manages to use certain tropes set up in the initial portions of the film in the latter portions cleverly. The good thing however is that the film manages to surprise you. After the way Bheem is set up effortlessly despite nothing much being told, the way Ramaraju's story unfolds seems strained. The way Ramaraju's fiancé Sita (Alia Bhatt) is woven into the narrative, apart from Ram Charan's transformation to another look also seem forced in a tale that was smooth sailing. Cinematic liberties are taken but they don't seem as noticable as in the later portions, half where the film falters a bit. There's the emotional core in Malli, there's the song and dance with Naatu Naatu (it'll make you smile) and a friendship explored through Dosti, there's even a few laughs whenever Bheem tries to befriend Jennifer.
The first half of RRR runs like clockwork. This is not the freedom movement where you turn the other cheek, this is the one where you use your hands as weapons. Scott (Ray Stevenson) might believe 'brown rubbish' deserve even a bullet to be wasted on them but Jennifer (Olivia Morris) seems more empathetic. Ramaraju might seem like a well-trained soldier who will follow instructions blindly but he also seems to have a past no one but his uncle (Samuthirakani) knows about. But he also finds shelter with Muslims in Delhi. Bheem might have fought against the Nizams, so much so that one of them finds it imperative to warn the British that he's not to be taken lightly. Delhi of the 1920s becomes his new canvas. Because, despite being based on two revolutionaries from history, RRR has a story that's completely fictional. Rajamouli's new calling cards seem to be building new world. But that is just the beginning of the tale. He's a Gond tribal who has come to the city to rescue a young girl called Malli, who was taken away by Lady Scott (Alison Doody), to be the singing doll 'on (her) mantelpiece'. Then there's 'water' - sweet, simple, innocent Bheem (Jr NTR) who has brute strength but uses it only when it serves his purpose. He has done their every bidding for years, he is the one they sic on anyone they want to capture and yet, he is the one who's never given enough respect due to the colour of his skin. There's 'fire' - an angry, young police officer Ramaraju (Ram Charan) who is both revered and feared by the British. There is no historical evidence to show that the two ever met or fought together but Rajamouli reimagines history and weaves a story around their meeting. RRR is set in the 1920s and revolves around the lives of two revolutionaries - Alluri Seetharama Raju who waged an armed campaign against the British and Komaram Bheem a tribal from the Gond tribe who fought against atrocities heaped on his people. But Rajamouli manages to deliver even when it comes to the story. Pulling off a multi-starrer with Jr NTR and Ram Charan in the lead roles might seem an accomplishment in itself. It took him 5 long years for him to conceptualise his next film RRR, shoot and bring it to the silver screen. The last time director SS Rajamouli managed to wow the audience was in 2017 with the film Baahubali: The Conclusion.